This is a writer’s journal. And naturally for a writer, the
closest subject to his/her heart is other writers, from all generations and not
just fellow writers.
In the first essay ‘The worm in the bud’, author during his
upbringing and formative years in Trinidad, narrates the authors who fascinated
him, how poetry did not interest him in the beginning but made sense as he
found the poems which brought out their meaning in simple but enchanting way.
The second essay’ An English way of looking’ is a critic of
various British authors who put emphasis on English ways of living in their
books. He dislikes many of the authors as he fails to understand their point of
view in their works, but likes a few, Tony Powell among them.
In the third essay ‘Looking and not seeing: the Indian way’
author after exploring few Indian authors comes to the subject of making of MK
Gandhi. He points out that the culture shock Gandhi had to face in South Africa
led to a revolt in a shy, introvert lawyer. Had Gandhi was well read and was
aware of the culture before he arrived in South Africa, he would have become
just another migrant from India. Similarly he observes that Nehru, only after
participating in peasant movement learnt how the poor lived in India and the
blind faith those poor kept in Nehru made his will stronger and made him a
socialist later.
In the fourth chapter ‘Disparate ways’ author revisits some
of the literary works, classics, history of Rome and Greece.
In the last chapter ‘India Again: the Mahatma and the after’,
author puts out his opinions on Vinobha Bhave and Nirad Chaudhuri and his work ‘The
Autobiography of an Unknown Indian’.
V S Naipaul is a unique author and deeply opinionated on
many subjects. His observations are stunning and contrast at the same time. It
appears he has more hatred (and less pride) in his Indian origins, so some of his
opinions might leave distaste in Indian reader. But for those readers who
are tolerant, he shows how to read in between lines and how to dissect a
literary masterpiece.